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19 Oct

end of the century review


and the Terms and Policies, Och o hits an Airbnb on the Barcelona coast and gets up to not much at all. They are both in good enough shape to convincingly portray 20-somethings — in these scenes, Javi is working on a documentary film about the millennium — but Castro is also up to something else here. Beautifully shot by cinematographer Bernat Mestres with a still camera and a leisurely pace. Eventually he calls to the fellow from his balcony. It balances what is with what might have been and what could still be, and, although the result is maybe a bit less substantial than Castro intended, there is a certain literary elegance in the way he sketches it out. [Full Review in Spanish], In his debut film, Lucio Castro... explores with notable subtleties the tensions between desire, fears, and the time that never comes back. Sadly, End of the Century lacks the emotional punch that would've allowed its messaging to shine through in a big way. He comes up. A simple story told in beautiful style by writer/director Lucio Castro, it's a beguiling drama that skillfully blends the past and present to craft its narrative in fascinating fashion. Ocho hits an Airbnb on the Barcelona coast and gets up to not much at all. The first 15 minutes of “End of the Century,” the debut feature film from Lucio Castro, flirt with banality, hard. Forgot your password? No wonder End of the Century has been compared to Weekend and Call Me by Your Name. Sweet and sexy romance End of the Century explores a world of what-ifs for two handsome strangers. He dines alone, drinks beer, visits the beach and exchanges glances with a guy about his age. In the film’s most jubilant sequence, the couple dance, with electrically casual grace, to A Flock of Seagulls’ Space Age Love Song.
In Barcelona, brooding Argentinian poet, Ocho (Juan Barberini) hooks up with breezy Spaniard, Javi (Ramon Pujol) and, later that day, there’s a revelation concerning the past, which hinges on the year 1999 and Javi’s Kiss T-shirt. What does not ensue is a gay variant of “Before Sunrise” or “Brief Encounter,” as much as the movie seemed to have been heading for some such thing. There's almost a serene, ghostly air to End of the Century that manipulates time, memory and romance, artfully spinning a simple story into something far more evocative. At one point, Ocho walks around with a toddler, looking like a Love Island contestant who’s just been told to cuddle a plastic doll. Get the freshest reviews, news, and more delivered right to your inbox!
By creating an account, you agree to the Privacy Policy If you enjoy the short stories of Borges, you’ll appreciate the mischievous attitude to poetry and time (nothing’s sacred). A story that transcends beyond its form. The measured ordinariness of its first section has been a sly setup for a poetic film that handles narrative as a kind of scarf dance. In the film’s most jubilant sequence, the couple dance, … Who knows, maybe, in a parallel universe — or even ours — the Score brothers are about to enjoy a second pop at fame. End of the Century starts out like an Iberian sequel to Weekend, only to become a kind of post-modern exploration of love, sex, intimacy, and possible lives.

In Spanish, with English subtitles. The movie moves backward for a look at the men when they were younger. Starting from banal observations of a solitary holiday, it builds into a sexy, beguiling reflection on love and the endless possibilities that flow from one meaningful connection. Introductions — the fellow is named Javi — flirtation, exploratory kisses and sex ensue. Lost In Translation made The Jesus and Mary Chain popular all over again. The actors, the dark haired and mildly brooding Juan Barberini as Ocho and the lighter, cheerier ginger Ramón Pujol as Javi, stay in the roles even as the film goes back to 1999. [Full Review in Spanish]. End of the Century review: Age-blind casting makes for a delicate, curious love story. Like 'Sliding Doors' with added subtlety and soul, this swooning love story spins the idea of 'what if?' All rights reserved. The film is like finding one of Proust's madeleines tucked inside a short story by Borges, where it keeps vanishing and reappearing. A little later, part of that book’s text scrolls across the screen, a passage extolling staying “forever in the disconnected and unfamiliar.” This movie is an ambitious, ambiguous paean to that state, and a promising first feature. Sign up here. Please enter your email address and we will email you a new password. Age-blind casting (the same actors appear unchanged in flashbacks) is just one of the elements that makes this delicate debut from Lucio Castro so jolting. [Full Review in Spanish]. No wonder End of the Century has been compared to Weekend and Call Me by Your Name. and to receive email from Rotten Tomatoes and Fandango. What End of the Century doesn't bring in drama it offers up in patient attention to life's unexpected turns and movements and the heft they acquire over time.

Castro deftly begins to meld past and present into one narrative, unfolding like waves of memory slowly drifting back as faint recollections of a long forgotten dream. Sidney Poitier’s 7 Most Memorable Performances, All Harry Potter Movies Ranked Worst to Best by Tomatometer.

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