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19 Oct

garry winogrand: all things are photographable

With the other hand. His wife left him. I know it gets done. And I'd make pictures. Winogrand was an American, and he can be extremely tough and is surfacing a lot of things that are not right with America. Does it have a conclusion? So that -- that's what I saw in those contact sheets. He was not in pain. -At some point, I realize now, he hasn't paid his taxes in five years. [ Bob Dylan's 'When the Ship Comes In' plays ] ♪♪ ♪♪ ♪♪ ♪♪ -♪ Oh, the foes will rise ♪ With the sleep still in their eyes ♪ ♪ And they'll jerk from their beds ♪ ♪ And think they're dreaming ♪ But they'll pinch themselves and squeal ♪ ♪ And they'll know that it's for real ♪ ♪ The hour that the ship comes in ♪ ♪ And they'll raise their hands sayin' ♪ ♪ 'We'll meet all your demands' ♪ ♪ We'll shout from the bow ♪ 'Your days are numbered' ♪ And like Pharaoh's tribe ♪ They'll be drownded in the tide ♪ ♪ And like Goliath, they'll be conquered ♪ -I think everyone's wrong about the unfinished work. 1981 He was the one who was saying that the event itself doesn't matter; it's its image. Winogrand’s friend and mentor, photographer Dan Weiner, dies in a plane crash at age 39. And so Arbus looking at the people she was looking at or Garry being interested in bandaged people or interracial couples, it was really shocking. 1961 And you're profoundly upset, and when you realize you're not getting killed, you laugh out of relief. I mean, one of the things that he really looked at, as far as the body is concerned, he went from top to bottom. -That's what advertising is. -Garry goes to Texas, not living in a place where he has a dark room. -Right. Not at all? ♪♪ -It feels to me in this and in certain other pictures that the central figure is a stand-in for Garry. [ Laughter ] -He says, 'Of course. -That statement, I think, could be taken to stand for his entire life as a photographer. Director of the Department of Photography at MoMA and Winogrand champion, John Szarkowski, commissions the processing and printing of approximately 2,500 rolls of Winogrand’s undeveloped film and 4,100 of developed but unproofed rolls, subsequently edited by Szarkowski, Tod Papageorge and Thomas Roma. It's a meaning that's very, very consistent in Garry and his work, which is animals do have a kind of superior knowledge. That photograph had an enormous impact on Garry. 1951 Thousands. That's all there is, is light on surface. -I was one of the three editors of the so-called posthumous work. -There's two ways I'm behind. 1978 It was his world, not ours, except to the degree that we might accept his pictures as a just metaphor for our recent past. It really deflects the question away from him and what he actually accomplished. And, yeah, then I see it. It's important to understand what a thing is. And all of a sudden, this beast of a man was much less beast-like, much more vulnerable. Winogrand begins working in advertising; his marriage to Adrienne is stressed. It was an extraordinary journey that that generation took because they started with very little, for the most part, and came an enormous distance in a very short period of time. I got piles of workprints there. -I'm kind of sad. I mean, I'm behind in developing film, and then in terms of the printing, way -- You know, it's not easily measurable. 1933 Winogrand is … Oct 26 – 28, 1962 -Garry took the 35mm camera and used it maybe further than anybody else could use it. The exhibition Garry Winogrand, co-organized by SFMOMA and the National Gallery of Art, Washington D.C. Bill, Winogrand enrolls in a painting class at Columbia University, New York. We don't know if he has any relationship to this child. ♪♪ -One of my favorite pictures is a photograph from 1950 of a sailor walking alone. What's funny about a pun? Simply photographing more and more and throwing more and more cassettes into bags without, in a way, finding that that itself deepened the despair that's evident in the work. The flip side of that, he and I had a falling-out because I went off to be a critic, and he said, 'Always tell the truth,' and my truth was sometimes not his truth. One's hungry for the truth when one is young because one is struggling through the fog of illusions that collects as one leaves childhood and enters adulthood. -'Women are Beautiful: The Observations of a Male Chauvinist Pig.'. They can't be too far forward. -I don't know, quite honestly, how much longer he could have gone on. He seemed totally invulnerable, this lion of a man. I'm not speaking in mysteries, and I'm not talking about suicide or anything. I don't want to hear that it wasn't as good as anything else. ♪♪ The high and the low to me is all about honesty. -To Eileen? You take the film out, you put the new roll of film in. At the same time, there's Garry, who's making the meals while Adrienne has dance class or is teaching dance or is in a theater production. I really am sad about the end, that I didn't get to see him again and tell him that I loved him with all -- everything. It was like a mirror that reflected only one kind of person. I never thought of myself that way, either way. Let's talk about one of your projects, 'The Animals.'. You know? As far as how a body moves, he can capture it, and I don't think there's anyone that does that like him. Oct 24, 1969 – Jan 18, 1970 I never thought I was attractive until my second wife. -He gave a public lecture, and somebody asked him, 'Well, how many pictures do you have to take to take a great one?'. This opposition between the world of light and the world of darkness -- the world of having and not having -- the world of freedom, the world of inevitability -- this opposition is clear enough in the picture.

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