i want you marvin gaye
 When Motown CEO Berry Gordy paid a visit to Ware, the songwriter was more than happy to play Gordy his selection of tracks. ", Though it was often hinted that Let's Get It On was the album Gaye had dedicated to her, Marvin has stated that this album was dedicated to Hunter, who is believed to have been in the studio when he recorded it. The album's cover artwork adapts neo-mannerist artist Ernie Barnes's famous painting The Sugar Shack (1971). And much like Let's Get It On Gaye reached for outside help, this time seeking the assistance of Leon Ware, a singer and songwriter who had found previous success writing hits for fellow Motown alum, including pop singer Michael Jackson and the rhythm and blues group The Miracles.  Rolling Stone's Vince Aletti criticized Leon Ware's production for being too low-key, and perceived that Gaye lacks the certain passion in his lyricism and singing from his previous records.  EMI Artists and Repertoire executive Gary Harris, who later assisted neo soul singer D'Angelo in recording his debut album Brown Sugar (1995), later commented on Gaye's significant artistry on I Want You and its opening title track. Sugar Shack effortlessly combines the two heritages in Neo-Mannerism Genre painting. Gaye recorded the album during 1975 and 1976 at his studio Marvin's Room in Los Angeles and at Motown's Detroit-based Hitsville West studio. Following a mixed response from critics at the time of its release, I Want You has earned retrospective recognition from writers and music critics as one of Gaye's most controversial works and influential to such musical styles as disco, quiet storm, R&B, and neo soul. Marvin Gaye's albums always have a theme, and the songs follow the theme...this is the best of them all! I Want You consisted of Gaye's first recorded studio material since his highly successful and well-received album Let's Get It On (1973).
I Want You continues in the same vein but with only the faintest traces of the robust passion that shot through and sustained the earlier album ... one expects something with a little more substance and spirit. After Gaye asked him for permission to use the painting as an album cover, Barnes then augmented the painting by adding references to Gaye's album, including banners hanging from the ceiling of the shack promoting the album's singles. " Much like Let's Get It On, slow jam music, as well as modern soul and the quiet storm genre, are now viewed by critics to have been engendered by I Want You and by Gaye. The voicings and the arrangements convey not only mood but time, place and image. Ware initially composed much of the music in the same vein as his own similarly erotic-themed album, Musical Massage, with low-key production and steamy after-the-party beats and vocals.
" I Want You became his fourth album to reach the top ten of the Billboard 200 chart and his fifth number-one album on the Soul Albums chart. , The Sugar Shack has been known to art critics for embodying the style of art composition known as "Black Romantic", which, according to Natalie Hopkinson of The Washington Post, is the "visual-art equivalent of the Chitlin' Circuit. List of number-one R&B albums of 1976 (U.S.), https://erniebarnes.com/wpeb/index.php/biography/, The Collection Shop - Ernie Barnes Sugar Shack, Oakland Tribune - Top Black Painter Exhibits in Oakland - August 14, 2002, "Eddie Murphy Speaks: The Rolling Stone Interview", TheBreaks.com album samples - Search results: I Want You, allmusic ((( Musical Massage > Overview ))), "Marvin Gaye Chart History (Top R&B/Hip-Hop Albums)". The sweet nuthin's of a drowsy, sweat-streaked lover. I Want You, however, evolved into a sensual autobiographical narrative centered around Marvin’s real life love affair with Janis Hunter.  However, he criticized the lyrical content, as well as Ware's involvement in songwriting, stating "was it Ware who instructed Marvin to eliminate all depth and power from his voice?  "After the Dance" was hailed as one of Gaye's signature songs during the late 1970s and was later described by Gaye-biographer David Ritz as "emblematic for the final chapter of his career. The pose has already been established in Let's Get It On, on which Gaye was hot, tender, aggressive, soothing and casually raunchy—the modern lover with all his contradictions. For the instrumental version of "After the Dance", Gaye implemented it for a more spacey sound than his previous recordings had featured. Having struggled to come up with  Much like Gaye's previous studio effort Let's Get It On, I Want You featured Gaye's contribution of background vocals and heavy multi-tracking. Having struggled to come up with material since releasing Let’s Get it On, Marvin teamed up with fellow Motown musician Leon Ware to help him write and produce the record. The sentiment is delivered so passionately that Marvin calls Janis’s name throughout the album in different songs.  Since the initial wide acclaim for The Sugar Shack, Barnes has gained further recognition from art critics as one of the best black painters of his time and was cited by the Oakland Tribune as the "Picasso of the black art world.
The closing track is a quiet storm ballad with downtempo grooves and synthesizer work. The song became a staple of dance clubs and discothèques during the late 1970s. " The original piece was later purchased by actor and comedian Eddie Murphy.  Los Angeles Times writer Dennis Hunt called the album "disappointing" and "only partially commendable". " In an interview with SoulMuseum.net, Barnes was asked whether there were any messages he was attempting to express through the painting.
 The careers of neo soul and R&B musicians including D'Angelo, Musiq Soulchild, R. Kelly, Maxwell (particularly on Urban Hang Suite), Sade, and Prince show the influence of the soulful sound and equally romantic and erotic lyrics of I Want You, Let's Get It On and Leon Ware's Musical Massage.  It has been noted by music writers that the critical reception of disco music in general had been poor and ill-considered, which may have caused the slightly disco-styled I Want You to suffer critically, in comparison to Gaye's previous albums. mon facebook : https://www.facebook.com/mathias.ancelin.9?lst=100024001740496%3A100024001740496%3A1516297599 Very Rare Version !!! It's a very cinematic approach to the whole thing.  While not as successful sales-wise as Gaye's previous landmark albums What's Going On and Let's Get It On, I Want You sold in excess of 1 million copies in the United States with help mostly coming from its first single "I Want You". Those background harmonies ... no matter how increasingly percussive he got, how funky, the background vocals were always steeped in that tradition. He's talking about "dreamed of you this morning." Their relationship was relentlessly passionate and emotionally rough-hewn; they played up each other’s strengths, and played off each other’s weaknesses.”, Do you have the music to song it is a great piece for a beginning bass guitar, I give you all the love I want in return sweet darling, This one way love is just a fantasy, oh sugar, Don't play with something you should cherish for life, oh baby, “I Want You” is the lead single off of the 1976 album of the same name that would go on to become one of Marvin Gaye’s most successful records. As author Michael Eric Dyson wrote in his book, Mercy, Mercy Me: The Art, Loves, and Demons of Marvin Gaye: “I Want You is unmistakably a work of romantic and erotic tribute to the woman he deeply loved and would marry shortly, Janis Hunter. While it marked a change in musical direction for Gaye, departing from his trademark Motown and doo-wop-influenced sound for funky, light-disco soul, the album maintained and expanded on his previous work's sexual themes. Sensual, satisfied, and spaced out", and calling I Want You "simply the explorative aftermath of Let's Get It On. According to music critics, her presence may have increased the emotion in Ware's and Gaye's conception of I Want You. I mean, if you're into insisting on sex it's in bad taste to whine about it.". Each song flows into the next, with the "I Want You" theme returning at times, in my opinion, this album is his finest work of all-time! I Want You is as necessary as anything Gaye ever recorded, and is as compelling in the 21st century as when it was first issued. In his book Mercy, Mercy Me: The Art, Loves, and Demons of Marvin Gaye, the author and music writer Michael Eric Dyson elaborated on the relationship between I Want You and Gaye's affair with Hunter: "I Want You is unmistakably a work of romantic and erotic tribute to the woman he deeply loved and would shortly marry, Janis Hunter.
What Happened To Tracy In K911, Ross Barkley Siblings, Tecia Torres Record, White Fang 2 Full Movie, Coenie Oosthuizen, Dirty Dancing Cast, What Do Birds Symbolize, Spion Kop Battle In 1906, African Love Birds Food, Epl Highlights Chelsea, Sign Of The Cross Iron Maiden, Arinbjorn Skellige, Paula Patton 2020, Marvin Harrison Stats, Birth Of A Nation Sparknotes, Demons 2 Soundtrack Vinyl, Vipbox Sports, The Moderns Watch Online, Moose Tna Champion, Cockfighting Knives For Sale, How To Train Your Dragon 2 Mp4, Joyner Lucas Height, Dougray Scott Wolverine, Will Fries High School, What Is Asphalt Made Of, Lakeith Stanfield Death Note, Pitt Basketball Court, Broom News, Jeri Ryan Age Voyager, Boeing Worklife Number, Alexandra Shipp Storm, Almost Christmas Watch Online, Kent State Golden Flashes Women's Basketball Players, National Geographic Channel Live, Nico Potur Height, Mma Leagues Near Me, Apartment 1303 (2007), Ballroom Dancing Tv Shows, Bellator Middleweight Rankings, Wooden Bathroom Cabinet With Mirror, Wepn Acronym, Nick Compton Retirement, Kassandra Clementi Partner, Cha Cha Slide Tik Tok Remix, The Goldfinch Book Genre, Morte Et Dabo Lyrics, Is Living Hell An Oxymoron, Sean Hayes & Scott Icenogle, On An Island Chords,