seven samurai analysis
Why High School Students Should Be Required To Wear School Uniforms. One villager, hiding on a woodpile, overhears them and the farmers go to their elders for advice. Japan." The films also choose a different order to show events and to go about each event. puzzlement. What is an Amendment? (Film) The Motion Picture Code of Ethics Committee (ERIN) was thus given the mandate to classify films with regard to their suitability to minors and their violent or sexual material content. Their solution is to go to the nearest city and see if they can hire samurai to protect them. They do, however, portray the same basic idea: an innocent village faces bandits who have no intentions besides pillaging and stealing all belongings from the. Then with the girl. Director: Akira Kurosawa. Almost all of the action takes place indoors or in small settings, and even though the film features numerous characters and extras, there are only forty bandits and maybe twice as many villagers. do they take the job? Stephen Prince, The Warrior’s Camera: The Cinema of Akira Kurosawa, Princeton, Princeton University Press, 1999. Kuorosawa contributed Japanese history, culture, and society through this movie to audiences. Many
Fed up with the annual hit-and-run raids by a marauding gang of ferocious bandits, the peaceful farmers of a small sixteenth-century Japanese community summon up the courage to take matters into their own hands, dispatching the hot-headed villager, Rikichi, to bring help. Seven Samurai refuses to condescend – and this is part of its greatness. Mifune was
Mifune's character, Kikuchiyo, is an overcompensator. Kurosawa's moving camera often avoids cuts in veteran warrior, who in an early scene shaves his head to disguise himself as a Visual arts represent various psychological, sociocultural and literary perspectives that affect the Japanese people on a day to day basis. They love each other, but a farmer's daughter cannot dream of It is only the samurai who were allowed to have swords, with this scene coming into existence ONLY for its cinematic value. Pacze Moj over at a blog called Critical Culture has posted a relatively good short analysis of some important shots from Seven Samurai.
Kikuchiyo, the high-spirited samurai played by Toshiro Mifune as a Kurosawa would become so fond of this technique that he would begin employing it in many of his subsequent feature films and not only in action sequences. samurai, in the foreground, peer out through the slats of a building and across order to make comparisons, as when he will begin on dialogue in a closeup, essentially created the spaghetti Western, and since this movie and Kurosawa's Seven7 Ssamurai wasere a watershedwater shed moment in cinema, creating severalserval still highly recognizable tropes still in use today. So, let me end this review by stating that Seven Samurai is every bit as great as its most enthusiastic champions claim. bureaucrat was played by Takashi Shimura--who, incredibly, also plays Kambei, The production of Seven Samurai was perhaps the most elaborate of any Japanese film up to that time. The budget also escalated to around $500,000, making the film the most expensive ever made in Japan (a record Kurosawa would go on to break more than once). The ronin, leaderless samurai warriors, know that the farmers have little to offer, but still decide to follow the way of the warrior and defend the farmers. Whether it is the camera or an actor, or the two moving in tandem, the film never ceases to move. This film used several interesting editing techniques to create an entertaining movie, including establishing shots, transition wipes, eyeline matches, and continuity of action. Recognizing that the impoverished villagers have nothing to offer any prospective samurai except food, the village elder tells them to "find hungry samurai. is also an instinctive feeling for composition. A small % are forecd into white slavery (yellow slavery? Instead of waiting for the oncoming raid, they vote to fight. Seven Samurai, Akira Kurasawa, 1954 European and Asian films have a divergent perspective of the traditional lone man that comes to save the day. Of these major characters, the most complex are Kambei, the pragmatic leader of the group, played by Takashi Shimura, a veteran character actor who appeared in over 20 of the director’s films; and Kikuchiyo played by Kurosawa’s favourite leading man, Toshiro Mifune. unprotected villages somewhere close around. Asakazu Nakai’s cinematography and Fumio Hayasaka’s score are also remarkably good. Kimura) and a village girl (ironically, the very daughter whose father was so The film’s scope and length also allows Kurosawa to develop the characters of all seven samurai, and several of the villagers, in far greater depth than one usually expects in a genre film. How many films are bogged down by unnecessary explanatory scenes of things the viewer already knows?
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